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Student’s documentary helps her family heal from intergenerational trauma

Cecilia Mellieon and her daughter sit outdoors at Fortaleza Indian Ruins, homeland of their ancestors, near the Tohono O’odham Nation’s San Lucy Village outside of Gila Bend, Arizona. Photo from 2001.

Grad student Cecilia Mellieon utilizes visual anthropology, a field of study founded at SF State, to tell stories of urban Native American life 

With a video camera in her hands and empathy in her heart, one San Francisco State University student is focusing her capstone project on a subject many families prefer to avoid: their intergenerational trauma.  

Cecilia Mellieon, a graduate student in Anthropology at San Francisco State, is the director of a documentary titled “He told us the sky is blue.” It traces her family’s trauma to Native American oppression, focusing on the Indian boarding school her father attended in Fort Apache, Arizona.  

“If it hadn’t been for his experience there, he would have never left his family or his village,” said Mellieon, a member of the Tohono O’odham Nation. “He would have never moved to the Bay Area, and so I would not even be here if it wasn’t for him making those decisions to get away from them.” 

The U.S. government established the boarding schools to teach English and trade skills to Native American children. Violent corporal punishment occurred often.  

“The ultimate goal was to have fully assimilated second-generation children — children who were removed from their lands, children who didn’t grow up with their culture or their language or their family members,” Mellieon said. 

In her 55-minute film, Mellieon’s family recalls surviving an abusive household. They share feelings of sadness and regret as they also work to resolve their anger. 

“These are stories that I know too well, because I was there,” Mellieon said. “There are scenes where my brother and my mom are breaking down crying. I was crying with them.” 

Cecilia Mellieon headshot

Born and raised in San Francisco, Mellieon is passionate about telling stories of urban Native American life with nuance and sensitivity. She uses a supportive, collaborative approach that aims to not only create an ethnography, but also a work that will benefit the subjects. 

Her approach is an application of visual anthropology, a field of study that was founded by late SF State faculty members John Adair and John Collier. SF State Anthropology Professor Peter Biella (B.A., ’72; M.A., ’75) was one of Collier’s students, and today he is Mellieon’s adviser. 

Mellieon entered SF State as an undergraduate in 2018 at age 42. She had just completed her associate’s degree from Los Medanos College while her third child had yet to start kindergarten.  

A new Bay Area Rapid Transit (BART) extension to near her home in Antioch made the 50-mile commute to SF State feasible, with family help on child care. Now, one of her children, Tatihn Mellieon, also attends SF State, as a Creative Writing major and a student assistant in The Poetry Center. 

“It was the perfect grouping of coincidences that led to me to be able to go to State,” Cecilia Mellieon said. “If I had tried this at any other point in my life, I don’t think I would have had the life experiences. I don’t think I would have had the growth that I needed to be a confident student and be able to feel like I could tackle this.” 

Mellieon premiered “He told us the sky is blue” in November at Los Medanos College. She plans to take it to film festivals and make more anthropological films about big-city Indigenous life. 

Learn more about the Anthropology Department

Alum’s design, illustration work represents Filipinos and the Bay

Since drawing art in yearbooks in his youth, LeRoid David has wanted to make a positive impact through art 

Long before his illustrations would be seen at restaurants and on television, LeRoid David drew art in school yearbooks. Not just the covers. Every year he would sign dozens of yearbooks with a personalized comic for his peers. Each piece used the same caricature-based style and humor that is discernable in his work today. 

The San Francisco State University alumnus has a diverse client list. Fans have waved the cheer cards he created for NBC Sports from Oracle Park to Chase Center to Levi’s Stadium. Last year he designed the official San Francisco Giants T-shirt for Filipino Heritage Night. David’s digital caricatures are on signs for The Lumpia Co. restaurant, and his work appears in the 2003 superhero spoof film “Lumpia” plus the sequel “Lumpia with a Vengeance.”  

The erstwhile Tower Records at the Stonestown Galleria is where David (B.A., ’03) first applied the skills he was learning at nearby San Francisco State. He created in-store displays and doodled on the whiteboard above the cash register.  

David and the interviewer for this Q&A attended Burton High School in San Francisco together. 

In high school, you were sketching comic art by hand for the yearbook, newspaper and even the senior class T-shirt.  

I’ve always been an illustrator, going as far back when I was 3 years old growing up in San Francisco. I was always fascinated by product labels and logos, in addition to reading comics and watching cartoons. 

LeRoid David’s digital illustrations of The Lumpia Co. of proprietors Alex Retodo and Earl “E-40” Stevens smiling and holding pieces of lumpia in each hand while wearing T-shirts with the text Eat Lumpia

LeRoid David’s digital illustrations of The Lumpia Co. of proprietors Alex Retodo and Earl “E-40” Stevens. Photo credit: courtesy of The Lumpia Co. 

I’ll always remember you would take the time, upon anybody’s request, to sign their yearbook with a personalized cartoon. 

That goes way back to elementary school. Around that age I realized that art can make a big impact. I saw the impact of creating something for someone and how it affects them emotionally. I got hooked to using art to make an impact. It gave me a feeling of wanting to do more. 

To this day, I will get a message from old classmates, even people I haven’t seen since elementary school. They would go through their closet and find something that I did for them, and I don’t even remember it! 

Tell us about your job at Tower Records and how it intersected with your SF State life.  

I started out just like a regular cashier. Slowly over time, I got involved with the visual arts team. I would assist the store artists with a lot of the signage, and that’s when I would start to apply the design techniques I learned from class.  

I stayed with Tower Records ’til the very end, which was 2006. I was able to move up and work for the regional office to do marketing and events locally for the Bay Area stores. My job was to propose music events, whether it’s album signings or even in-store performances.  

Describe a class or a moment at SF State that had a major impact on your life. 

Man, there were a lot of moments. The first thing that stands out is becoming part of DAI [the Design and Industry Department] at SFSU. It not only helped develop my skills as a designer, but it also helped me learn how to connect with my peers, learning how to network and how to be a better communicator. 

The second thing at State was being part of FilGrad, the student-run Filipino graduation. At State I solely focused on my major and what I needed to do to graduate. Unfortunately, I didn’t have the opportunity to take other classes such as Ethnic Studies. I knew that SF State had a very strong Ethnic Studies program, especially when it came to Filipino American history, so I joined FilGrad as a way to connect with the Filipino American community. 

Of course at the very end, we held a very special fundraiser: We hosted the premiere of the “Lumpia” movie at SF State. It was crazy, man, it was. It was a sold-out, standing-room crowd.

I’m a second-generation Filipino American. My parents immigrated to the U.S. when they were really young, so I didn’t grow up speaking Tagalog. I only knew what being Filipino was to food, pretty much. It wasn’t until my later years, and again, especially at SF State, where I learned about Filipino American history. 

I saw that, as artists, that we, too, can also create — and be part of that history, too. 

Learn more about SF State’s School of Design

Alum designs FDA-authorized app to treat fibromyalgia symptoms

Nelson Mitchell developed his design mind as a graduate student at SF State 

Learning to design furniture at San Francisco State University can lead to more careers than one may expect. For Nelson Mitchell, his master’s degree was the pathway to creating an innovative mobile app to treat fibromyalgia. 

Mitchell, a user-experience designer, is head of design and co-founder of Swing Therapeutics. Earlier this year the Federal Drug Administration (FDA) authorized its app, Stanza, to be marketed to treat symptoms of fibromyalgia, a chronic pain condition that affects 10 million Americans. It is the first fibromyalgia digital therapeutic approved by the FDA. Available only by prescription, Stanza employs a form of cognitive behavioral therapy called acceptance and commitment therapy. It has proven effective in extensive randomized controlled trials and real-world studies, with 73% of patients demonstrating improvement in symptoms. 

Stanza provides patients with a customized schedule of treatment, incorporating practices such as mindfulness and self-reflection throughout their daily routine. “It’s the therapist in your pocket,” Mitchell said.  

Nelson Mitchell smiles while standing in front of a brick wall on a foggy day

Mitchell (M.A., ’10) entered San Francisco State as smartphones started to become a near necessity for daily life. Faculty and students already knew that enduring product design concepts would be key to success in the mobile software space. 

“I was designing chairs and lamps and stuff like that, but SF State’s program was really great at teaching me the design process and how to think like a designer — how to come up with a hypothesis, test, iterate and refine the idea,” Mitchell said. “I took that and applied it to software and interface design.” 

School of Design faculty such as Ricardo Gomes, Shirl Buss, Hsiao-Yun Chu and Nancy Noble gave Mitchell the tools and the freedom to explore his interests in depth. 

“I felt like I had a new kernel, a new framework,” he said. “SF State gave me the chance to build it — and really build it in a way that I understood it. It’s like the difference between owning a bike and having someone else fix it versus being able to take it apart and put it back together.” 

At his company, Mitchell is spreading the word about the Gator work ethic: “Nobody is going to work as hard for you as graduates from SF State,” he told his team. “These are people that we need to create opportunities for.” 

One of Swing Therapeutics’ first in-house software engineers, Mantasha Khan, joined the company after completing her Computer Science degree from SF State. Khan (B.S., ’21) has a passion for creating technology solutions for health. She notes that Lecturer Jose Ortiz-Costa’s “Introduction to Database Systems” course provided her with an invaluable foundation of skills. 

“I’ve been meaning to reach out to [Ortiz-Costa], just throw it out there, [to say that] you have helped me so much,’” said Khan, who attended SF State as an international student from India. “Everything you have taught has been helping me every single day in my work, so I’m very grateful.”  

Learn more about the SF State School of Design and Computer Science Department

‘Finding Filipino’: Renowned comics artist discovered herself attending SF State

Rina Ayuyang’s new graphic novel and comic posters explore Filipino American culture and history — including on campus 

One evening in the 1990s, Rina Ayuyang was passing through the Creative Arts building at San Francisco State University. In a small recital hall, she discovered a Filipino ensemble performing a ballad, “Dahil Sayo (Because of You).” She recognized the song because her parents would dance to it in the living room of her childhood home. 

“I lived near campus and would walk down the halls a lot, and I’d just stumble upon things that were happening,” Ayayung recalled. “It was a very film-noir scene actually, this woman singing this Filipino romantic ballad that I just came and found myself in. And it was a very magical experience.”  

It was one of the many life-changing experiences for Ayuyang at San Francisco State to influence her as a comics artist and shape her as a human being. 

New graphic novel 

“The Man in the McIntosh Suit” (Drawn and Quarterly, 2023) is Ayuyang’s new graphic novel, presenting a Filipino American take on the Great Depression. Mistaken identities, speakeasies and lost love intersect from strawberry farms on the Central Coast to Manilatown in San Francisco. 

Kirkus Reviews writes: “Ayuyang spins a captivating tale that is both an homage to starry-eyed Hollywood movies of the period and a corrective that highlights the anti-Asian racism faced by immigrants as well as the thriving communities they formed.” 

Throughout her work, Ayuyang (B.A., ’98) aims not only to increase representation of Filipino Americans in the arts, but awareness of their key roles in U.S. history. 

“We always feel like we’ve come a long way, but there are still things that need to be addressed. We like to bury things in our history that aren’t as pretty,” Ayuyang said. “I feel like as an artist, we need to continue to use our platform to share ideas, motivate and inspire.” 

‘Finding Filipino’ and the ‘CIA’ 

Ayuyang was born and raised in Pittsburgh, Pennsylvania, and chose to attend SF State because she had deep family roots in the Bay Area. She majored in Art with an emphasis in Conceptual and Information Arts, an experimental program where she says everybody made their own rules and embraced a do-it-yourself ethos that prepared her well for a career in comic arts. 

“They called it the ‘CIA’,” Ayuyang said. “It was a little fun rag-tag artist operation going on. It had this grassroots feeling that felt very San Francisco, bohemian-like. It was very much my jam.” 

The courses that Ayuyang took in the College of Ethnic Studies from professors such as Dan Begonia taught her about the hidden histories of Filipino farmworkers and activists in California. She met lifelong friends in the Asian American Studies Department and participated in the Pilipino American Collegiate Endeavor, a student organization.  

SF State has had such an impact on Ayuyang that she dedicated a comic to the University in her new poster series, “Finding Filipino.” Presented by the San Francisco Arts Commission for the Art on Market Street Poster Series, the nine posters are on display at 30 bus shelters in downtown San Francisco through June.  

On the “Finding Filipino at SF State” poster, she shares her Gator story: “Here, I learned that I was more than a ‘model minority,’ that I could be an artist, a writer, an athlete — anything I wanted to be.” 

Learn more about the SF State School of Art and College of Ethnic Studies

Speakers share stories of personal transformation at Commencement

SF State ‘can be your rock,’ said Jayshree Ullal, president and CEO of cloud networking company Arista Networks, at the May 26 event

San Francisco State University celebrated the Class of 2023 at its annual Commencement ceremony Friday, May 26, at Oracle Park. More than 4,000 graduates and more than 31,000 people attended the event, which featured technology business leader Jayshree Ullal as keynote speaker. Ullal talked about the challenges she faced coming to the U.S. from her native India to attend San Francisco State in 1977. 

“While I was pursuing electrical engineering, I was only one or two of 100 female students in a class of 100,” said Ullal (B.S., ’81), who studied electrical engineering at SF State and went on to become president and CEO of cloud networking company Arista Networks. “This made cutting class difficult, as we were conspicuous by our absence!” 

Despite being a trailblazer in a then mostly male field — and a “very shy, quiet introvert” to boot — Ullal said her Engineering professors and fellow students were supportive.   

“This great San Francisco State institution shaped me and guided my future,” she said. “And it can be your rock just like it’s my foundational rock.” 

Two honorary California State University degrees were also conferred at Commencement: legendary Rolling Stone writer and editor, author, DJ and TV host Ben Fong-Torres (B.A., ’66) was honored with a Doctor of Fine Arts, while activist, filmmaker, author and psychotherapist Satsuki Ina received a Doctor of Humane Letters.  

“Actually I didn’t attend my Commencement. Hey, it was the Sixties. We forgot, man,” Fong-Torres joked to the crowd. “But I have never forgotten this university’s impact on me. … I got that [Rolling Stone] gig, I think, because of the freedom that we had to experiment with journalism here at SF State, and the lessons learned from that freedom.” 

During Ina’s speech, she encouraged the Class of 2023 to make the world a better place through empathy and action. 

“I urge you to bring with you something that has always been inside of you, even before college, and that is your compassion,” she said. “We need all that you bring, and more than ever in this world of conflict, violence, injustice and suffering, we need your compassion. We need you to care and love family and friends, of course, but also the stranger, the other, the foreigner. Reach out beyond your comfort zone, welcome the outsider. It is compassion that can mend the fractures, heal the wounds and bring us together.” 

Other speakers included SF State President Lynn Mahoney, Associated Students President Karina Zamora and Associated Students Chief of Staff Iese Esera. Two student hood recipients, among 12 graduates honored for their academic and personal achievements, also shared their stories. 

“I began my journey in higher education as a homeless first-generation college student with a baby on my hip and another in my belly. I did not have support, money, guidance or a place to call my own. But what I did have was a dream,” said undergraduate speaker Nicole Bañuelos. “I had a dream that I would earn my degree in Biology and go on to study medicine and save human lives. This dream carried me through my most trying times. I learned how to study through morning sickness and nausea, how to hold a textbook in one hand and a baby in another, how to hold my head up high when I felt like the world was looking down on me. But most of all I learned how to never give up in the face of adversity and that after every dark night there is a brighter day.” 

Graduate student speaker Hasti Jafari, who was born in Iran, reflected on the Iranian women’s movement and the important lessons the Class of 2023 can learn from the brave activists there. 

“As someone honored to have called both countries home, I encourage you to see their fight as your fight, as the basic rights of women, people of color and the LGBTQ+ and disabled communities are under threat in this country as well,” Jafari said. “And in this deeply interconnected world, none of us are free until all of us are free.” 

Learn more information about SF State’s 2023 Commencement. 

Student script wins national award from Broadcast Education Association

Jae Hamilton wrote raucous speculative episode of U.K. teen sitcom ‘Derry Girls’ 

What started as a class assignment has turned into a national award for a San Francisco State University student who has since graduated. Jae Hamilton is a first-place winner in the Broadcast Education Association (BEA) Festival of Media Arts. Her speculative script for an episode of the U.K. teen sitcom “Derry Girls” brings a raucous yet thoughtful twist to a Catholic girls school in Northern Ireland in the 1990s. 

Hamilton (B.A./B.S., ’22) is among 300 student winners, representing 82 colleges and universities nationwide. They were honored at an awards ceremony at the festival on April 17 in Las Vegas. BEA is a leading international academic media organization that drives insights, excellence in media production and career advancement for educators, students and professionals. 

Hamilton wrote the script last fall as an assignment in Broadcast and Electronic Communication Arts (BECA) 470: “Dramatic Writing for Television and Electronic Media.” The plot takes the “Derry Girls” protagonists to a shop in town where one of the characters gets in a dispute with the owner for overcharging for candy. In the episode’s secondary plotline, Hamilton takes the Derry girls as far from their comfort zone as she thought possible: to a museum exhibition of Robert Mapplethorpe photographs, showcasing his trademark provocative images of nude men. 

“It’s hijinks, but the basis is taking care of your own and standing up for what you feel is injustice,” Hamilton said. “I wrote it because it’s funny, but it’s also about self-acceptance. Even though they are very simple characters, they deal with lots of different emotions and themes.” 

A double major in Visual Communication Design and Creative Writing, Hamilton entered San Francisco State as a transfer student after a career as a theatre props technician in Atlanta. She is pursuing a career in video game design, and her passion is writing plays.  

“Writing is my happy place. It always has been,” Hamilton said.  

Hamilton is not the only member of the SF State community to be honored at the BEA festival. Her BECA 470 instructor from last fall, Associate Professor Marie Drennan, garnered Best of Competition in the Mini-Episodic/Webisode category of the faculty scriptwriting competition. 

Learn more about the SF State Broadcast and Electronic Communication Arts and Creative Writing departments and the SF State School of Design

  

Jae Hamilton selfie while seated in front of a kitchen sink and window

SF State alum, author Ernest J. Gaines honored with USA stamp

Gaines (B.A., ’57) is most known for his novels ‘The Autobiography of Miss Jane Pittman’ and ‘A Lesson Before Dying’

A San Francisco State University alumnus is the latest American to be honored with a first-class stamp from the U.S. Postal Service. The late novelist Ernest J. Gaines is the face of the 46th stamp in the Black Heritage Series

Gaines (B.A., ’57) is known for writing about the people in small-town Louisiana where he was raised, often exploring enslaved people, their descendants and their enslavers. He rose to fame in 1971 with “The Autobiography of Miss Jane Pittman,” a historical novel chronicling the recollections of its 110-year-old Black protagonist, whose life spans from slavery to the civil rights era. After garnering a nomination for the Pulitzer Prize, it was adapted into an Emmy Award-winning television movie starring Cicely Tyson. His novel “A Lesson Before Dying,” about a Black man on death row for a murder he did not commit, not only won the 1993 National Books Critics Circle Award, but was also an Oprah’s Book Club selection. President Barack Obama awarded Gaines the National Medal of the Arts in 2013. Gaines died in 2019 at age 86. 

“Ernest J. Gaines remains an important role model for Creative Writing students at San Francisco State,” said May-lee Chai, associate professor and acting chair of the Creative Writing Department. “We remind our students that his first short story was published in our undergraduate journal, Transfer Magazine, which he later said led to multiple opportunities for him as a writer. His legacy as a literary giant and advocate for social justice is deeply inspiring.” 

Gaines was born in 1933 on a plantation in Oscar, Louisiana. He lived in the same former slave quarters where his family had been residing for five generations. At age 15, he moved to the Bay Area — the Navy town of Vallejo — due to a lack of educational opportunities in the South. His region of rural Louisiana lacked both a high school and a library where Black people were welcome. After Vallejo Junior College and the Army, Gaines enrolled at SF State. 

“It was there that I really got seriously into the writing,” Gaines said in a 2016 interview with the Academy of Achievement of his time at SF State. “I had some wonderful teachers on the campus at that time who were writers as well. And they encouraged me to write.” 

Learn more about the SF State Creative Writing Department. 

 

Alumna-turned-ambassador reflects on 30-plus-year career as U.S. diplomat

U.S. Ambassador to Brunei Darussalam Caryn McClelland presents her Letter of Credence to His Majesty the Sultan of Brunei Darussalam.

Caryn R. McClelland was appointed to serve as the U.S. ambassador to Brunei Darussalam in 2021

Caryn R. McClelland spent more than three decades as a diplomat in the United States Foreign Service, a path she’s unknowingly been preparing for since childhood. Her parents’ wanderlust had the family moving every few years to cities in New Jersey, Maine, Michigan and California, eventually ending up in San Francisco. With each move she’d reinvent herself. For some, that might grow tiresome, but the San Francisco State University alumna says she thrived — and developed resilience and adaptability that helped her climb the ranks of the U.S. Foreign Service.

McClelland (M.A., ’90) is now ambassador to the nation of Brunei Darussalam, an absolute monarchy strategically located on the island of Borneo. The U.S. Senate confirmed her appointment in 2021, the culmination of 33 years in the Foreign Service. She was accepted into the program in the early 1990s while earning a graduate degree in International Relations from San Francisco State. (She earned her B.A. in English from the University of California, Los Angeles and later earned an M.S. in National Security Strategy from the National Defense University in Washington, D.C.) Since joining the Foreign Service, she’s had posts in Vietnam, Latvia, Indonesia, Azerbaijan, Malaysia, Turkmenistan and other nations.

McClelland learned about the Foreign Service at the recommendation of a family friend who thought she’d be a good fit. At the time, McClelland had just graduated from UCLA and was deciding what to do next with her life. “I thought this was a great opportunity and a way to represent my country, but also experience life overseas,” she said. She was sold. She began studying International Relations at SF State soon afterward, building a solid foundation for the work she’d be doing abroad, and passed the Foreign Service exam shortly before earning her degree.

It wasn’t just the travel that appealed to her. “I took an aptitude test once, and it concluded that I needed to either cure world hunger — like do a big global thing — or I needed to find a job that changed frequently,” she said. The mission of a U.S. Foreign Service officer is promoting peace and prosperity and protecting American citizens abroad while advancing the interests of the United States. It’s work that deals with important global issues and changes constantly — the perfect career for McClelland.

Looking back on her decades-long career, she believes she’s made differences large and small. “There are things that we do every day as diplomats that have a long-term impact on individual lives and countries. In Vietnam it was dioxin remediation at Agent Orange sites,” she said. “There’s an organization in the military, the Defense POW/MIA Accounting Agency, that identifies missing service members, so it’s repatriating remains and reuniting them with loved ones who never thought they would see their family member again.”

Caryn takes a selfie with several other fellows

Ambassador McClelland posed for a selfie as she bids farewell to the 2023 Yong Southeast Asian Leadership Professional Fellows following their pre-departure orientation at the U.S. Embassy in Brunei.

And then there are major multinational projects, such as getting a pipeline built to transport oil and gas from former Soviet nations to international markets. She authored a pipeline strategy in 1995. The main pipeline project, which required the coordination of many agencies within the U.S. government, international lenders and commercial entities, took about 10 years to complete. “It required bringing everybody together,” she said. “But when the tap on that pipeline opened, it changed the trajectory of those countries that it went through.”

The work is rewarding but also challenging, something she relishes, she says. One of the most important lessons she’s learned is that “no” is not the end of the conversation, it’s just the beginning.

“Everybody is different and every scenario is different, but I think the commonality is a certain persistence to always look at new ways to achieve an end,” she said. “The people who are most effective in this job are the ones who are constantly willing to reinvent themselves and reinvent the way they think about things to get to ‘yes.’… It’s always constantly adapting and refocusing and reprioritizing and being willing to look for avenues that you didn’t originally see, which requires you to learn so much from other people.”

For students considering a career in the Foreign Service she recommends looking at all the different ways to join. There’s the Foreign Service exam — the route she took — but there are also fellowships and internships. Students can visit Department of State Careers to view options. There are also other employment opportunities at other federal agencies, such as the Department of Commerce, that have career opportunities abroad, she adds.

The Foreign Service is not for everyone, she acknowledges. To start, it’s an “up or out” organization, like the military. Officers either get promoted or they must leave. But the most common reason people leave is that moving around every few years can be taxing, especially on families. She has a daughter, so she knows the difficulties.

For McClelland, the benefits far outweigh the downsides. “When I joined the foreign service, my goal was not to become an ambassador. My goal was to have a rewarding career filled with wonderful experiences, meeting new people and constantly reinventing myself,” she said. “It was, ‘How could I do good but also constantly challenge myself?’”

After more than 30 years with the same organization, it’s safe to say she found her answer.

In 1946, SF State became the first university in the U.S. to establish a Department of International Relations. Learn about studying International Relations at SF State today.

Actor and alumnus BD Wong returns to campus to share his story with students

The Tony Award winner discussed the challenges he had to overcome as a queer Asian American actor

Award-winning actor and alumnus BD Wong recently returned to the stage at San Francisco State University not to perform, but to share insights gleaned from his decades-long career in film, theatre and television. A Tony Award winner for his groundbreaking role in “M. Butterfly” on Broadway, Wong is also known for appearances in films like “Mulan” and the “Jurassic Park” and “Father of the Bride” series.

While on campus at San Francisco State’s Little Theatre Tuesday, March 12, Wong answered questions from students and faculty as part of two forums, one hosted by Professor of Theatre and Dance Yutian Wong and the other by Provost and Vice President of Academic Affairs Amy Sueyoshi and Asian American Studies Professor Russell Jeung. Wong talked about his craft, shared advice for students hoping to launch careers in the arts and discussed the lessons he’s learned navigating the entertainment industry as a queer person of color.

Wong began acting in high school. The San Francisco native credited his high school drama teacher for instilling a sense of confidence in his ability to perform. Often cast as a lead in school productions, he never thought about his race. Then he came to SF State … where, unfortunately, he felt invisible. It was the late 1970s, and he was the only Asian American student in the theatre department. Faculty didn’t know how to serve him, he told students.

“They were certainly not programming anything that I could do that would have helped me assume my potential,” he said. “Nor were they transcending race and giving me roles that were not related to who I was as a person.”

Since then, the University has made a concerted effort when it comes to fostering a diverse, equitable and inclusive community. But Wong’s experience at the time caused him to drop out of college in 1980 and pursue theatre in New York City. Eight years later he made a huge splash in “M. Butterfly,” launching a career that would later include recurring roles in several TV series, including “Law & Order: Special Victims Unit,” “Oz” and “Awkwafina is Nora from Queens.” He accepted an honorary doctoral degree from SF State at the University’s 2022 Commencement, and he recently returned to San Francisco again to star in the play “Big Data” at the American Conservatory Theatre.

Though things have improved for Asian American actors since he began his career, Wong says he still wishes there were better parts and more representation. He’s had to learn to speak up and take action to open doors.

“Nothing good can happen from being passive, so I taught myself and started to enjoy fostering the conversation. It began with myself and then it bled into having this conversation with other Asian American actors who I could relate to and who could relate to me and that led to a form of activism,” he said. “It was small battles being won and them getting larger and larger. And today we have a presence that we simply didn’t have before. It’s partly because of this whole journey of micro-successes and discussions.”

Wong advises students starting out in the industry to be open to any role, whether it’s as an extra, a production assistant or a stand-in. It’s important to get exposure and to learn, he says.

“I did extra work, and it was really helpful to me just to be an observer on a set to watch the professional principal actors work with a camera,” he said. “I was in crowd scenes and stuff like that. That’s not fun, but I found it very valuable. I was fascinated by the process.”

Theatre Arts student Connor Diaz was in the audience Tuesday and found the event invaluable. “It was just really incredible to see someone in the industry explore all aspects of the craft,” Diaz said. “As a performer, I really want to invest myself in other people’s work. From someone with so much experience it was truly a gift to have that.”

SF State Music alum collaborates, tours with André 3000 on guitar

Multi-instrumentalist Nate Mercereau has collaborated with pop stars like Lizzo, Shawn Mendes, The Weeknd 

When hip-hop legend and actor André “3000” Benjamin released an album by surprise last fall, he was not the only multi-hyphenate involved. San Francisco State University alumnus Nate Mercereau is a member of the nine-time Grammy winner’s ensemble on the album, “New Blue Sun,” and on tour.  

Mercereau (B.Music, ’10) is in a different universe of guitarists. He uses an electric guitar, a guitar synthesizer and a Midi-guitar.  

“He hardly ever sounds like he’s playing guitar, but he’s an awesome guitarist,” Benjamin, of the hip-hop group OutKast, told National Public Radio. “He’s kind of like a magician in a way.” 

On stage, Mercereau samples the band’s live performance by hand, using Abelton software to record a loop of sound, creating an in-the-moment composition. This improvisational technique creates a new sound with every note.  

“I have a microphone going directly into the sampler, and I also plug my own guitar into the sampler,” Mercereau says. “I’m either sampling the sound of the group live with me, or I’m sampling myself live. ... The sample becomes my ‘instrument,’ pitched all up and down the fretboard.” 

Mercereau’s magic is not just on guitar. He plays up to a dozen instruments on songs he has co-written for Lizzo, Shawn Mendes and Leon Bridges. Drums, piano, violin, French horn, glockenspiel, you name it.  

Mercereau’s own recordings are more exploratory, describing them as exploratory, “music with a sense of discovery and “a searching quality.” In 2021 he garnered national press for an album of “duets” pairing his guitar work with the wind-blown hum of the Golden Gate Bridge.  

Dissonant sounds 

Before being admitted to San Francisco State’s School of Music, Mercereau had to audition. He didn’t know it yet, but his ambitions would swerve in a different direction.   

“They ended up accepting me as a guitar student with the caveat that I would also play French horn in the Wind Ensemble,” he said. 

Exceeding that requirement, he played in over five other student ensembles and made a name for himself off campus. 

“I was playing every possible gig I could,” he said. “I was playing weddings. I was playing restaurant gigs. I was playing bars and clubs all around the Bay and also in the church.” 

Joining the SFSU Gospel Choir band, led by student Mike Blankenship, opened Mercereau to an entirely different way to play music. No longer did it have to be an academic, conceptual exercise. 

“It was like, ‘Let’s get to the stuff. Let’s deliver this music. Let’s really play,’” Mercereau said, noting Blankenship’s mentorship. After graduation, they both joined Sheila E.’s band for five years of touring worldwide. 

“Nate was one of those students who just has it. I could tell that major success was ahead of him,” said Paul Wilson (B.Music, ’08), the longtime staff technician for the SF State School of Music. “His musicianship was always off the charts, and he was also just the nicest humble guy.” 

Deep listening 

Mercereau is still absorbing lessons from SF State Professor Hafez Modirzadeh. Modirzadeh told students that he enjoys listening to two radio stations at the same time to hear how the dissonant sounds blend together. It took Mercereau years to decipher. 

“I find through the years an influence in the small things that he did say to me, or even just a look in his eyes when he would walk by,” Mercereau said. “When he was talking about stuff like that, I wasn’t ready for it, but it was something that stuck with me. And now I think about those things a lot more.” 

Mercereau thinks about Modirzadeh when sharing the stage with Benjamin’s ensemble. He appreciates the professor as “a creative thinker.” 

Benjamin and each member of the “New Blue Sun” ensemble are also creative thinkers, on the same wavelength. Connecting on levels musical and personal, they practice “deep listening”: being present, open, emotional and thoughtful with each other. 

“Each of us is bringing our whole lives to the moment of creation together,” Mercereau said. “I’m very into being here on the Earth, and I’m very into getting involved in things and feeling how it feels to be alive. To move through life with that level of awareness, it feels really powerful.” 

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