Cinema

SFSU students, alumni contribute to animated opera

Pocket Opera collaboration brings Animation students into new film adaptation of Mozart’s ‘The Magic Flute’ 

The COVID-19 quarantines of 2020 forced educators and artists alike to work in new and creative ways. One such collaboration involving San Francisco State University’s School of Cinema just recently enjoyed its debut. “A Pocket Magic Flute” is an animated film adaptation of Mozart’s “The Magic Flute,” produced by the Pocket Opera company of San Francisco. It is a finalist for the Digital Excellence in Opera Award from Opera America. 

Nicolas A. Garcia, artistic director of the San Francisco Pocket Opera, conceived the film project and garnered funding from the National Endowment for the Arts and Opera America. He contacted SFSU Cinema Professor Martha Gorzycki to get students involved. Gorzycki (MFA, ’02), the director of the University’s Animation Program, mentored five student interns who worked on pre-production and production: Estrella Torres, Jacqueline “Rosie” Nares, Alex Wood, Madeline Ko and Jessie Plascencia. 

“It really helped me understand how the pipeline of production works in animation,” said Nares (B.A., ’22), now a library media assistant at an elementary school in Stockton. “I already had a bit of an idea just because I’m a huge animation fan. But being firsthand, I got to try a little bit of everything. Working in background, character and prop design, I was able to figure out where I fit in the pipeline, too, because it is my dream is to work in the industry.” 

Torres (B.A., ’21) helped create storyboards and design characters and props. She says working on “A Pocket Magic Flute” was a pivotal moment for her. 

“It gave me my first real opportunity to step into the animation world and feel confident in my skills,” Torres said. “When Martha reached out to me specifically because of my talents, it was such an honor. It gave me the encouragement I needed to believe in myself and my abilities as an artist. The class she created was small, with only five students, and I felt so fortunate to be one of them. 

“The experience not only helped me grow as an artist, but also reinforced my love for animation as a medium for storytelling,” added Torres, now an instructional aide for middle-school students with disabilities in Brentwood. “I’m truly excited to see how it resonates with audiences and how it might inspire others.” 

Shawneé Gibbs (B.A., ’02) and Shawnelle Gibbs (B.A., ’02) are the lead producers, screenwriters and animation directors on “A Pocket Magic Flute.” The siblings comprise a powerhouse team, writing scripts for cartoons for many of the major studios and networks. Miriam Lewis (MFA, ’12) is the lead costumer. They all attended the world-premiere screening, held in the August Coppola Theatre at SFSU on Sept. 25. 

“A Pocket Magic Flute” has brought together numerous arts organizations, including the Lorraine Hansberry Theatre, Oakland Youth Symphony, Sacramento Youth Symphony and Sirnare Animation Studio in Kenya. 

“A Pocket Magic Flute” is now traveling to classrooms of fourth to eighth graders, accompanied by a curriculum and appearances by the artists in person. 

“This was a local and international collaboration of diverse teams of scholars and artists coming together remotely to produce a 20-minute animated film,” Gorzycki said. “One of the primary goals of this project is to educate youth and especially BIPOC [Black, Indigenous and People of Color] youth on collaborative and creative career possibilities in the performing arts, fine arts and media arts.”  

Learn more about the SFSU School of Cinema. 

SF State-produced documentaries tell stories of the first Black Marines

The Montford Point Marines were 20,000 African Americans trained in the 1940s 

To commemorate Black History Month, a San Francisco State University documentary team will debut four shorts about the first Black servicemembers in the U.S. Marine Corps. Each of the short films will be available on YouTube. 

The films are oral histories with surviving members of the Montford Point Marines, 20,000 African Americans trained between 1942 and 1949 in Jacksonville, North Carolina. The first recruits began one year after U.S. President Franklin Delano Roosevelt outlawed racial discrimination in war industries, allowing Black men and women, although only in a segregated fashion.  

San Francisco State History Professor Trevor Getz, who produced the films along with Cinema Professor Daniel L. Bernardi, emphasizes the lasting legacy of the Montford Point Marines and the lessons that can be learned from them. 

“They fought the Second World War and the war against racism together. And then they went on to serve the country and their communities for decades after,” Getz said. “They want to pass on messages that are of great value to us today. The team of filmmakers led by Bernardi managed to capture those messages authentically. The results are powerful.” 

The Veteran Documentary Corps (VDC), an institute based in SF State’s College of Liberal & Creative Arts, created the films as part of its ongoing mission to tell authentic stories of the American veteran experience. Bernardi, VDC’s director, directed three of them, with Eliciana Nascimiento helming the other. Many other Cinema alumni and students also participated, including Andrés Gallegos, Hannah Anderson, Robert Barbarino, Joshua Cardenas, Jian Giannini and Jesse Sutterley.  

“The series in honor of African American contribution to the ideals of American freedom and civil rights was 95% SFSU: from faculty producers, faculty directors, faculty sound designer, alumni director of photograph, editor and animator to a crew of Cinema graduate and undergraduate students,” said Bernardi, who is a veteran of the Iraq war and a commander in the U.S. Navy Reserves. 

Later this year, Oxford University Press will publish a related nonfiction comic book, “The First Black Marines,” by Getz and SF State History student Robert Willis. 

Watch the documentaries on YouTube